Forms & Analysis II

Lehman College

Spring 2010,

Dr. D. Ghezzo  ghezzomusic@gmail.com

 

  1. Historical Facts: From Polyphony to Homophony
  2. Polyphonic Forms: Canon, Round, Isorhythmic Motet, Ricercar, Invention, Fugue
  3. Schenkerian Principles.  Defining BachÕs harmonic/polyphonic style
  4. Schenkerian Analysis: Contrapuntal foundation of Classical & Romantic Music: Haydn, Mozart, Beethoven, Schubert, Schumann, Brahms
  5. Limitations of Schenkerian Analysis: Impressionisms, and Modalism: Debussy,  Ravel, Respighi, Bela Barok, Satie, Prokofiev, Stravinsky
  6. 20th Century Forms:

-       Motives & Sets in Tonal and Non-tonal music

-       Pitch Structures

-       Serial Music

  1. 20th Century Methods for Analysis

Traditional methods for Traditional Music: Post Romantic, Music Theater,  Neoclassical music

Pitch Set Theory Methods

Sound Design

Phenomenological Methods

 

Text Pooks:

 

F. Saltzer – Shenkerian book

J. Lester – Analytic Approaches to Twentieth Century Music

L. Ferrara – Phenomenologic Analysis (on reserve)

 

Feb. 1              Historical Facts: From Polyphony to Homophony

Feb. 3              IBID, Redefining Musical Thought

 

Feb. 8              Historical Facts: From Polyphony to Homophony II

Feb. 10            IBID, Redefining Musical Thought

 

Feb. 15            No Classes  (see Feb. 18 instead of the Monday Class)

Feb. 17            Historical Facts: From Polyphony to Homophony III

Feb. 18            (on Mon. Schedule) IBID, Redefining Musical Thought

 

Feb. 22            Ricercar, Invention, Fugue I

Feb. 24            In-Class & Home Work Analysis

 

Mar. 1             Fugue II

Mar. 3             IBID, In-Class & Home Work Analysis

 

 

 

 

Mar. 8             Schenkerian Analysis:

Contrapuntal foundation of Classical & Romantic Music

Mar. 10           IBID, In-Class & Home Work Analysis

 

Mar. 15           Further Analysis of Classical & Romantic Music.

Impressionism, Debussy, Ravel, Respighi

Mar. 17           Limitations of Schenkerian Analysis: Stylistic complications Modalism:

                        Bela Bartok, Satie, Prokofiev, Stravinsky

 

Mar. 22           20th Century Forms: Motives & Sets in Tonal and Non-tonal music

Mae. 24           IBID, In-Class & Home Analysis

 

Mar. 28           20th Century Forms: Motives & Sets in Tonal and Non-tonal music

                        IBID, In-Class & Home Analysis

 

Mar. 29-April 8 SPRING VACATION

 

Apr. 12            20th Century Approaches to Analysis: Pitch Set Theory

Apr. 14            IBID, In-Class & Home Analysis

 

Apr. 19            20th Century Approaches to Analysis: Sound Design

Apr. 21            IBID, In-Class & Home Analysis

 

Apr. 26            20th Century Approaches to Analysis:: Phenomenological Methods II

Apr. 28            IBID

 

May 3              20th Century Approaches to Analysis:: Phenomenological Methods II

May 5              IBID

 

May 10            Final In Class Presentations

 

            Presentation 1

            Presentation 2

            Presentation 3

            Presentation 4

 

May 12            Final In Class Presentations

 

            Presentation 1

            Presentation 2

            Presentation 3

            Presentation 4

 

 

 

May 17            Final In Class Presentations (Last day of Classes)

 

            Presentation 1

            Presentation 2

            Presentation 3

            Presentation 4